La Une in English: October 2006: Difference between revisions
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: | <font color=#0000aa>'''Play review: "Good Samaritans" at the Théâtre Garonne'''</font><br> | ||
: | :Imagine four young American girls waiting with impatience for the occasion to see an American play in Toulouse: “That would be really cool to see other Americans in Toulouse,” we told ourselves. In reality, what we saw on Friday the 20th of October at the Théâtre Garonne was not at all what we hoped. Yes, it was nice to hear English without it being followed by “In French please!”, which we’re actually hearing less and less at the Dickinson Center. With that said, I found that the New York City Players presented “Good Samaritans” by Richard Maxwell, with too much enthusiasm, overacting, and in the end achieving nothing. | ||
: | :According to the program that we were given before going to the theater, Kevin is an attractive young character while Rosemary is an old nurse in a rehabilitation center. We learn that Kevin arrives at the center in order to cure himself of his drug and alcohol abuse. Instead of being attractive, Kevin is ugly and dirty, clearly homeless. As soon as he enters the scene, Kevin speaks with a loud and embarrassing voice. Perhaps he spoke in this manner in order to portray his dependency on drugs – no one really knows. Rosemary, in the meantime, is stone-faced, rigid and strict, following rules at the rehabilitation center. She never smiles. | ||
: | :During the first ten minutes of the play, we had the opportunity to see Kevin completely naked, suddenly undressed by Rosemary. It is this sort of thing that shocked us; the play’s goal appeared to be to shock the audience as often as possible. The two main characters were completely monotone, even while singing, portraying a real lack of spirit during the entire production. Kevin’s monologues were bizarre, without logic, and the relation between the two characters developed too rapidly. Presented in a traditional and religious manner, Rosemary falls too quickly in love with Kevin. During the scene where the two of them make love, we felt extremely awkward in our seats, averting our eyes so not to see a 60-year old woman in her undergarments. | ||
::: | :We could certainly say that Americans are constantly ill at ease during love scenes. I might conclude that for us, this wasn’t the case. The love scene was tense because it portrayed a rushed love between two awkward characters, and not a single person was prepared to witness it. We left the theater saying, “Did they act badly on purpose?” after feeling completely out of the loop during the play – we never fully understood if we had possibly missed a scene that would have explained everything. | ||
:::--Kitt Squire | |||
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:Au Coin de la Rue is open Monday through Sunday from ? To ?, except for Saturday at lunchtime, and is located at the corner of rue Pargaminières and Valade at Place St. Pierre. The telephone number is 05.61.21.99.45. | :Au Coin de la Rue is open Monday through Sunday from ? To ?, except for Saturday at lunchtime, and is located at the corner of rue Pargaminières and Valade at Place St. Pierre. The telephone number is 05.61.21.99.45. | ||
:::--Anna Cumbie, editor | :::--Anna Cumbie, editor | ||
<font color=#0000aa>'''Excursion to Albi'''</font> | |||
:Saturday, the 14th of October, Dickinson students went on an excursion to the midieval city of Albi. About a one-hour train ride from Toulouse, Albi is a pleasant city with an architectural style much like the « pink city », Toulouse, with many of its buildings constructed from brick. The most remarkable building is the cathedral Sainte-Cécile, a southern gothic fortress. Besides the impressive brick exterior, the interior is decorated with paintings completed by the famous painter of the Last Judgement, portraying the seven deadly sins. Around the cathedral are several cafés, restaurants, merchants in the streets, and a great chocolatier, where regional specialties like violet candy and cassoulet can be found. Also, Albi is the birthplace of Henri de Toulouse-Lautrec, a 19th-century artist. The Toulouse-Lautrec museum presents the portraits and advertisement posters produced by this revolutionary artist. Albi is a charming city that caters to the different interests of its visitors. | |||
:::--Jamie Wolf | |||
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:Springtime in September (Printemps de Septembre) is a contemporary art festival. For 24 days, nine locations present the contemporary art of Toulouse. These locations are: L’espace Ecureuil, l’Hôtel Dieu, Le Chateau d’Eau, Les Abbatoirs, l’Espace EDF Bazacle, Maison Eclusière, les Jacobins, l’Espace Croix-Baragnon, as well as several other urban spaces, such as le Pont Neuf. The festival also includes nomad soirées. These particular manifestations include dance recitals, ciné-concerts, video-sound performances, and music. The entrance fee is free for everyone. The juxtaposition of the contemporary art and the ancient architecture of Toulouse produces an unforgettable effect for any spectator. Don’t miss the festival of Springtime in September if you happen to be in Toulouse during the months of September and October. | :Springtime in September (Printemps de Septembre) is a contemporary art festival. For 24 days, nine locations present the contemporary art of Toulouse. These locations are: L’espace Ecureuil, l’Hôtel Dieu, Le Chateau d’Eau, Les Abbatoirs, l’Espace EDF Bazacle, Maison Eclusière, les Jacobins, l’Espace Croix-Baragnon, as well as several other urban spaces, such as le Pont Neuf. The festival also includes nomad soirées. These particular manifestations include dance recitals, ciné-concerts, video-sound performances, and music. The entrance fee is free for everyone. The juxtaposition of the contemporary art and the ancient architecture of Toulouse produces an unforgettable effect for any spectator. Don’t miss the festival of Springtime in September if you happen to be in Toulouse during the months of September and October. | ||
:::--Meredith Ship | :::--Meredith Ship | ||
<font color=#0000aa>'''Exposition at the Château d'Eau'''</font> | |||
:As we all learned from our orientation program with Madame Beauville, le Château d’Eau is a location for modern photograph expositions, and serves as an interesting example for recycled architecture. | |||
:The current exposition at the Château d’Eau is a photography collection by Dominique Delpoux called “Double je”. Certain series of this exposition are Les mineurs de Carmaux (Minors of Carmaux), Les jumeaux (Twins), Les hommes du chantier (Men at a construction site), Uniformes (Uniforms), and Double je (Double I). Each series is a commentary on identity and the employment of juxtaposition through portraits. | |||
:My personal favorite is Les jumeaux, as Delpoux demonstrates pairs of twins with each individual at his respective home. Twins that live separately are presented as diptych; those who live together are photographed together. It is quite interesting to compare the two twins portrayed in the context of their home. | |||
:Le Château d’Eau is located on the banks of the Garonne at the Pont Neuf. This exposition will be presented until December 10, 2006. | |||
:::–Anna Cumbie, editor | |||